Mario Ferretti (1915-1974) was a remarkable and somewhat overlooked artist and illustrator from Livorno, Italy. As the subject of the third volume in the “Rarità del Novecento Livornese” series, Ferretti’s artistic journey offers a compelling narrative of an individual who traversed the artistic currents of his time while staying true to his unique creative vision. This essay delves into the life, artistic influences, and contributions of Mario Ferretti, exploring the interplay between metaphysical elements and abstraction in his work.
Early Formation and The Modern Livornese Artistic Group (G.A.M.E.L.)
Ferretti’s artistic development commenced under the tutelage of Beppe Guzzi at the Artistic Section of the Glassworks in Livorno in 1937. This early training laid the foundation for his future endeavours, shaping his technical skills and exposing him to the artistic currents of the time. Later, Ferretti emerged as a leading figure within the Modern Livornese Artistic Group (G.A.M.E.L.), showcasing his talents as a stained glass designer and poster creator, with notable examples being the bozzetti for the “Littoriali della Vela e del Canotaggio,” sponsored by GUF in 1937.
The Artistic Journey: Metaphysics and Synthesis
Ferretti’s artistic trajectory can be best understood through metaphysics and synthesis. Notably, he never fully embraced well-defined artistic movements such as EAISMO, Futurism, or abstraction. Instead, he developed his creative language by combining elements from various sources, including the Italian Novecento movement.
Ferretti’s works are inclined towards deformation and a metaphysical essence, indicating his inherent restlessness. This restlessness becomes evident as he experiments with forms that transcend pure representation and delve into metaphysics. Nature morte and compositions of figures form the basis of his iconographic exploration, with hints of abstraction occasionally surfacing in certain industrial landscapes and views of Old Livorno. This synthesis between metaphysical and abstract elements is a unique hallmark of Ferretti’s artistic identity.
Abstraction as a Homage to the Language of Painting:
Despite his exploration of metaphysics, Ferretti also embraces abstraction to pay homage to the inherent possibilities of pictorial language. Embracing abstract elements allows him to convey emotions, thoughts, and impressions beyond the confines of traditional representation. Ferretti’s abstract works evoke a harmonious interplay of volumes and colours, occasionally evoking natural elements, such as the celestial “Cieli” (Skies) of the 1950s. In this way, abstraction becomes a vehicle for expressing his innate inquietude, bridging the gap between the real and the ethereal.
Mario Ferretti’s artistic legacy resides in his ability to navigate the artistic currents of his time while remaining true to his distinctive vision. He charted his course by rejecting categorisation within specific movements, drawing inspiration from metaphysical elements and abstract forms. His artistic restlessness allowed him to explore the depths of human emotion and spirituality through the language of painting. Today, Ferretti stands as a compelling figure in the pantheon of 20th-century Italian artists, leaving behind a body of work that continues to captivate and inspire.